A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c10.s2.38

c10.s2.38

tions, obtained from the monastery at Sanghāo in the Yūsufzai country, and compare it with Fig. 71, representing the Vatican copy of the Attic artist’s composition, without perceiving that the composition is essentially the same as that of Leochares, made familiar to the Hellenistic world in marble replicas. A variant is shown in Fig. 70 *a*. All the Buddhist adaptations omit the dog, and so agree with the groups preserved at Venice, Thessalonica, and in the British Museum, while in the pose of the eagle