A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c11.s3.8

c11.s3.8

While abstaining from minute description of Plate XXXIII, which serves as a synopsis of the sculptures generally, I may invite the attention of the reader to a few points. In the relief picture the sculptured decoration is carried high up the dome, but the extant slabs seem to have been attached only to the lower part of the Amarāvatī