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A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c12.s1.50

A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c12.s1.50

Language
English

c12.s1.50

According to Rājendralāla Mitra, the material is 'very pure copper', cast in two distinct layers, the inner of which was moulded on an earthy, cinder-like core, composed of a mixture of sand, clay, charcoal, and paddy (rice) husks. The segments of this inner layer were held together by much corroded iron bands, originally three-quarters of an inch thick. The outer layer of copper seems to have been cast over the inner one, presumably by the *cire perdue* process. It was made in several sections, one of which consisted of the face and connected parts down to the breast.