A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c12.s1.50
A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c12.s1.50
- Language
- English
c12.s1.50
According to Rājendralāla Mitra, the material is 'very pure copper', cast in two distinct layers, the inner of which was moulded on an earthy, cinder-like core, composed of a mixture of sand, clay, charcoal, and paddy (rice) husks. The segments of this inner layer were held together by much corroded iron bands, originally three-quarters of an inch thick. The outer layer of copper seems to have been cast over the inner one, presumably by the *cire perdue* process. It was made in several sections, one of which consisted of the face and connected parts down to the breast.