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A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c13.s6.54

A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c13.s6.54

Language
English

c13.s6.54

the lower braids whirling in the dance, which is named *Tāṇḍava*. The mermaid on the right braid (indistinct in the photograph) symbolizes the Ganges; a crescent moon and serpent decorate the left braid. Other serpents coiled round his body are regarded as symbols of Siva's energy. His three eyes, one in the forehead, represent the sun, moon, and fire; the skull at the base of the crown is a symbol of destruction, and the necklace, composed of skulls of Brahmas, Vishnus, and Rudras, symbolizes the evolution and involution of the universe throughout the aeons. The bisexual nature of the deity is indicated by the long man's earring in the right, and the woman's circular earring in the left ear. Fire, a symbol of both destruction and divine purifying grace, is held in the left upper hand, and also surrounds the group. The small drum in the right upper hand is supposed to suggest vibration, the first stage in evolution. The right lower hand is raised in assurance of protection to the worshipper, while the left lower hand points to the uplifted foot, the refuge of the suppliant. The monster trampled on personifies the powers of evil and illusion from which the deity delivers the soul. The composition as a whole is understood to represent the control of the operations of the universe by Siva.