A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c14.s2.37
A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c14.s2.37
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c14.s2.37
‘The smaller panels,’ he observes, ‘are ornamented with designs as varied and graceful as they are fanciful. Some with grotesque little figures, rich in humour and quaintly dressed in Persian turbans, coats, and striped stockings; gambolling amid fruits and flowers; dancing, drinking, or playing upon instruments; or chattering together; some with animals combined with the lotus, drawn with remarkable fidelity and action; as the elephant, humped bull, and the monkey; parrots, geese, and conventional birds singly and in pairs, with foliated crests, and tails convoluted like heraldic lambrequins, showing the upper and under surface of the ornament. Some contain the large pink lotus, full-bloom, half-bloom, and in bud, as well as the smaller red and white; some with the mango (*Mangifera indica*), custard apple (*Anona*