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A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c15.s3.t1.16

A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c15.s3.t1.16

Language
English

c15.s3.t1.16

The most interesting department of Tibetan, as of Mongolian, pictorial art is that of portraiture. The painted portraits should be compared with the bronze statuettes described *ante*, pp. 198–200. Excellent specimens of this branch of Tibetan art, which is less conventional than the pictures of Buddhas and Bodhisattvas, are included in a packet of twenty-four ‘Pictorial Illustrations of Tibetan Buddhism’ in the Hodgson collection of the Institut de France. By the kindness of M. A. Foucher, who made the selection, I am able to offer two unpublished reproductions of these remarkable works, depicting holy Lamas, one of whom is ‘paisible’, and the other ‘terrible’.