A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c17.36

c17.36

¹ Grünwedel-Burgess, pp. 98–103, Figs. 50–4. See also *The Gandhāra Sculptures*, Pl. XX, Fig. 1 = *J. I. A. I.*, vol. viii (1898), Pl. XXII, Fig. 1, where the spirits are female. In one case at Amarāvatī the story of the departure is symbolized, after the Sānchī manner, by the led horse (*un cheval sans cavalier*) with the royal umbrella held over him (*ante*, Fig. 74).