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A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c18.7

A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c18.7

Language
English

c18.7

The simple, spiritual worship of Muslims, who adore the One Unseen God and hate every kind of idol, can be performed satisfactorily without any building. But it is convenient to have a spacious edifice in which the faithful can assemble on Friday, the Musalman Sabbath, to join in public prayer, and occasionally hear a sermon. During prayer the worshippers should turn towards Mecca, the direction of which is indicated by a niche or niches in the appropriate wall. The Muhammadan mosque, or church, therefore, consists essentially of an enclosure, with a niche in one wall to indicate the direction of Mecca. There should be also a pulpit, and a tank for ablution. All other things, such as cloisters, chambers, and lofty portals are unessential, being needed only for purposes of convenience and dignity. The mosque may be wholly open to the air, or wholly or partially roofed. Examples of wholly roofed mosques are very rare in India, the only one on a large scale being that at Kulbarga in the Deccan. Ordinarily a large open quadrangle is the principal feature of an Indian mosque. The covered portions of the more considerable buildings usually consist of an aisle or aisles (*līwān*), at the western side, with cloisters round the enclosing walls, and often include huge gateways with many chambers, and sundry minor structures. The roofs are invariably domed in some fashion or other, and pointed arches are a prominent feature.