A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c18.90
A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c18.90
- Language
- English
c18.90
The immense enclosed complex of buildings and gardens familiarly designated as 'the Tāj', comprises the central mausoleum, the mosque on the west, a corresponding (*jawāb*) edifice on the east, intended as a place of assembly for the congregation of the mosque and the persons invited to the annual commemoration services; huge gateways with many chambers, massive enclosing walls, and various minor structures, some of which have been ruined. The purpose of all was to honour the memory of Shahjahān's well-beloved wife, the Empress Arjumand Bānū Begam, whose title Mumtāz Mahall ('The Chosen One of the Palace') has been corrupted into 'Tāj'. Out-