A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c19.s6.15
A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c19.s6.15
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c19.s6.15
¹ Birdwood, *Industrial Arts of India*, p. 322. These objects are rather enamelled bricks or terra-cotta than tiles. The body is similar to that of red bricks, moulded on the edges or sides into relief patterns, which are covered with a poor vitreous dip, forming a ground of opaque dark blue, upon which patterns in opaque white—either enamel or clay—have been laid. The patterns include Muhammadan (Saracenic) and Hindu forms, and may be referred to the eleventh or twelfth century (Furnival, *Leadless Decorative Tiles*, p. 118, Figs. 72–5).