A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c19.s6.22
A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c19.s6.22
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- English
c19.s6.22
³ Opinions differ as to the mode of manufacture. Mr. J. L. Kipling thought that the designs were painted on large sheets, which were cut up into tiles *before* firing (*J. Ind. Art*, vol. ii, pp. 17, 18); but Mr. F. H. Andrews, after making experiments, believes that the shaped pieces were cut *after* glazing and firing (Ibid., vol. x, pp. 27–30).