A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c19.s6.8
A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c19.s6.8
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c19.s6.8
The tile from Bahā-ul-hakk's tomb figured by Cunningham exhibits the 'key pattern' in white on a dark blue ground; that from Rukn-ud-dīn's tomb has a white ground with interlacing circles in dark blue, the interspaces being partly filled by six-petalled stars and polygonal blocks in pale azure.¹