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A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c20.s2.115

A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c20.s2.115

Language
English

c20.s2.115

Many artists took great delight in depicting holy men and ascetics of all sorts, Musulman and Hindu, singly or in groups. Two of the most exquisite works dealing with this class of subject, and no doubt executed in the reign of Shahjahān, are the companion pictures, folios 11 *b* and 12, in Dārā Shukoh's album, representing an old fakīr in two positions, holding a book in the one case, and a rosary in the other. The outline of the figure is drawn with less than the usual sharpness, and shading with fine lines is employed sufficiently to give an impression of roundness. In the old man's beard the delicacy and accuracy with which individual hairs are drawn display a wonderful mastery over that most difficult instrument, the single-hair brush. The colouring is subdued, and the perspective fairly correct.