A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c20.s2.3

c20.s2.3

Perhaps the most fruitful general observation arising from such perusal is that of the predominance of Hindu names. For instance, in the *Wāqiāt-i-Bābarī* above mentioned, out of twenty-two names, nineteen are Hindu, and only three Muslim. Similarly, in Abūl Fazl's catalogue of seventeen artists, only four are Muhammadan, while thirteen are Hindu.