A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c23.6.3

c23.6.3

Chosroes II = Khusrū Parvīz, *q. v.*, 290 note. 'Choultrie', at Madura, 233. Christian subjects in art, 366, 369, 463, 472. Chukalokā, Yakshī, 73. *Cire perdue* process, 172. Clay-slate, material of Gandhāra sculpture, 99; of Rājmahāl sculpture, 185. 'Cobra' pattern, 95. Cochineal, pigment, 462. Coimbatore District, 248. Coins, best Hindu, 351-3; Muhammadan with figure types, 422, 423. Colour, on Ceylonese sculpture, 88; on Amarāvatī sculpture, 156. Colours, at Ajaṇṭā, 278, 279; at Sīgiriya, 298; at Anurādhapura, 301; *see* Pigments. Columns, Buddhist and Jain, 20-2; at Ābū, 32, 34; in Ceylon, 54; of Asoka, 59, 64, 377; at Bharhut, 70; Indo-Hellenic, 101; Gupta, 174; spiral, 386; *see* Pillars. Comic scenes at Bharhut, 72. Composite style, 419. Conjeeveram = Kānchī, *q. v.*, 220. Constantinople, or Rūm, 417. Coomaraswamy, Dr., on Indian and Sinhalese art, 3, 12, 127, 128, 346. Copper, statue of Buddha, 171, 172; statuettes in Tibet, 198; vessels, 364. Copto-Alexandrian art, 380, 382. Corinthian capitals, 101; *see* Indo-Corinthian. Cornice, Bengālī curvilinear, 398, 419, 420; in Bījāpur style, 405. Cotton, Tibetan paintings on, 315; Mongol paintings on, 454.