A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c23.91.2

c23.91.2

element in Muhammadan architecture, 392; coins, 422. Sasseram = Sahasrām, *q. v.*, 406. Sat Mahāl Prasādaya, 55. *Satī*, *see* Suttee. Sayyid Ali, Mir, artist, 454, 470. Sculpture, Indian, opinions depreciating, 2; best categories of, 5; generalized and monstrous forms in, 6; originality of, 8, 390; of early period, 57–96; early work all Buddhist, 58, 78, 99; in Maurya age, 59; best Asokan, 60; post-Asokan on stone railings, 66; early, in western cave-temples, 84; early, in Ceylon, 86–95; Hellenistic of Gandhāra, 97–131; historical interest of Gandhāra, 104; description of Gandhāra, 106–25; criticism of Gandhāra, 125–31; of Kushān period, 132–57; of Mathurā and Sārnāth, 134–48; of Amarāvatī, 148–56; Jain, at Dānavulapād, 156; of Gupta period, 158–80; of Northern India, 159–76; of Western and Southern India, 176–80; mediaeval and modern, 181–271; in North-eastern India, 183–98, Addenda; in Tibet and Nepāl, 198–200; in North-western India and Rājputāna, 200–8; in Western India, 208–18; in Southern India, 218–40; in Ceylon, 241–58; in Java, 259–67; mediaeval Jain, in all India, 267–71; Tāranāth on schools of, 304–7; foreign influence on, 378–86; animals and plants in, 388; Muhammadan figure, 424–8; Muhammadan decorative, 428–32. Seals, Hindu, 352; Muhammadan, 422, 424. Secundra, *see* Sikandarah. Seleucus Nikator, 57. Seven Pagodas, at Māmallapuram, *q. v.*, 36. Shabkadar, four-armed image from, 124, 125. Shahjahān, buildings of, 412–18; lion gem of, 424;