A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c8.71
A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c8.71
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c8.71
The Bengal variety is characterized by the use of the bent cornice, obviously copied from the bamboo eaves of an ordinary Bengal hut, and by a peculiar arrangement of the curvilinear steeples; one lofty steeple placed over the centre being surrounded by four, eight, or sixteen smaller towers of the same form. Figure 10 illustrates a seventeen-towered temple in the Dinājpur District. Some of the details are Muhammadan. Fergusson has described a large similar temple at Kāntonagar in the same District, finished in 1722, and decorated with applied terra-cottas of slight artistic merit. This variety of the Āryāvarta style is peculiar to Bengal.¹ The only example recorded outside that province is one at Bilhari, Central Provinces, built to the order of a Bengālī immigrant.