A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c9.s2.21
A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c9.s2.21
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c9.s2.21
Every form, however outlandish, is Indianized by its close association with the lotus, the most characteristic and universal of all Indian art motives. Infinite variety in the treatment of the conventionalized flower is exhibited in the minute details both at Bodh-Gayā and elsewhere.¹