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A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c9.s2.75

A History of Fine Art in India and Ceylon, from the Earliest Times to the Present Day c9.s2.75

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c9.s2.75

a temple roof, I think (*ante*, p. 17), was the origin of the domed *stūpa* as seen in the central panel. The figure of the guardian deity in the lowest panel is a good sample of Sānchī sculpture on the larger scale, and may be compared with the doorkeepers on stelae at Anurādhapura in Ceylon (*post*, Pl. XXI).