Ajanta: The Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography v1.c4.41
Ajanta: The Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography v1.c4.41
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v1.c4.41
When one recalls the frescoes to memory, it is the extraordinary grace and living quality of particular figures and groups which one remembers with most pleasure: the seated woman seen from behind, for instance (Pl. XI); the groups on Plates XIII, XVII, XXXVII, to name but a few.