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Ajanta: The Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography v1.c5.s2.6

Ajanta: The Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography v1.c5.s2.6

Language
English

v1.c5.s2.6

The whole story is depicted in three episodes. To commence at the top left-hand corner of the painting, we notice first a *dvārapāla* (doorkeeper) standing between two pillars. His complexion is dark grey and he is wearing a long-sleeved garment, of white and black check pattern, which is tightened round his waist by a broad girdle. The pillars at his back are painted black, showing flutings and ornamentation with precious stones and gold. Two ladies are standing there; one of them is wearing a short skirt of striped silk and elaborate jewellery on her body. Her complexion is silver-grey, and the face indicates that she is occupied in some deep thought; the manner in which she has raised her finger to her lip is very characteristic of Indian ladies. The face of the other lady does not show so much feeling, but her anxiety is apparent by the position of her hand on her breast.