Ajanta: The Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography v2.c8.s21.58

v2.c8.s21.58

To the right of the scene shown in Plate XXXIX is pictured an assemblage of *Nāga* chiefs, Varuṇa’s kinsmen, friends, and acquaintances,¹ whom he is consulting about the proposal of Pūrṇaka (Plate XL). The upper part of the fresco being badly damaged, the heads of two figures, including that of Varuṇa, are destroyed. The fine brushwork and colours of the latter figure are also much faded, and it is difficult to discuss the artistic merits of the portrait. The gesture of the right hand of Varuṇa, however, suggests that he is faced with a dilemma, and is telling Pūrṇaka to wait, ‘for a business done without consultation leads afterwards to regret’. On the right-hand side of Varuṇa is Irandatī, and on the left, her mother Vimalā, the figures of both being drawn with great feeling. Irandatī is gracefully leaning on her father, to persuade him in a maiden-like manner to accede to the proposal of her lover. On account of the damaged condition of the painting, the eyes of Irandatī have been spoiled, but the charm of her other features and grace of her pose can still be admired.