Ajanta: The Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography v2.c8.s25.2

v2.c8.s25.2

IN Cave II the artists of Ajanta have painted women in a variety of most graceful poses, which not only throw light on Indian modes and habits of the time, but show a close study of human character as well as a highly refined taste and a powerful technique. In this fresco, although the subject has not been identified, the painting tells its own story. We see a rājā sitting on a low throne in a pillared hall wherein are several ladies. The rājā is apparently in an angry mood, for he holds a naked sword in his right hand; but as the head of the figure is destroyed, the expression of his face cannot be studied. In front of the rājā is a lady kneeling at his feet, the drawing of whose figure is indeed a masterpiece of Indian art. The grace of a slim form with supple and pliant limbs has been shown to full advantage by her kneeling pose, while the delicate frills of the diaphanous costume and pearl jewellery add to the decorative effect. The effect of roundness has been beautifully produced by shading, and the fine brushwork can be noticed in the treatment of her hair, which falls in waves below the feet of the rājā. The head is unfortunately damaged, but the other limbs have been painted with so much feeling that the figure seems to be an embodiment of repentance.