Ajanta: The Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography v2.c8.s3.4

v2.c8.s3.4

Near an *aśoka* tree, which is admirably painted, we notice a pair of flying figures; the male figure has almost perished, but the bust of the female (*Apsaras*) is preserved, and the doubled-up arm, elbow resting on hip, and the curve of the waist, gracefully inclined in the act of flying, are veritably a *tour de force* of the Ajanta School. The body has been painted in the round, the effect being gained by washes of deeper tints. The delineation of the fingers also shows much feeling and skill, but the abundance of jewellery attracts the eyes from the charm of a gracefully developed body, which is painted almost nude.