Pramāṇa · Search · About · API

Ajanta: The Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography v2.c8.s8.3

Ajanta: The Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography v2.c8.s8.3

Language
English

v2.c8.s8.3

THE subject on the left side of the pilaster (Plate XVII *a*) represents a *Yakshiṇī* (? or a rānī) and her attendant, the latter of whom is carrying a tray of flowers as an offering to the Buddha. The delineation of the attendant is graceful and shows much artistic feeling. The head is unfortunately broken, but the pose with the slight curve of the back, the left arm hanging loosely at her side, and the slight forward movement of the left leg, is perfectly charming. The skill of the artist may be seen at its best in his drawing of the left arm in the round with all the feminine grace of suppleness and beauty of form. The fingers of both hands show not only the sensitive nature of the lady, but a high regard for elegance. The nails almost look as though they were manicured. The dress and ornaments of this lady are equally well portrayed. To contrast with her coal-black hair, she has strings of brilliant pearls round her forehead and at the parting of her hair. Her large wheel-pattern ear-rings serve to accentuate her emotional nature. She wears a pearl necklet round her beautiful throat and a string of pearls on her bosom. Her arms and wrists are similarly bedecked with ornaments. All her jewels are simple and beautiful in their design, and show none of the vulgarity of over-elaboration.