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Ajanta: The Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography v2.c8.s9.27

Ajanta: The Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography v2.c8.s9.27

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English

v2.c8.s9.27

The calm and serenity of the face have given a mystic effect to the subject, and the idea of voluptuousness which is contrary to the Buddhist doctrine is happily avoided. She has made a loop with her thumb and middle finger, probably to signify that she is contemplating the riddle of life. It is interesting to note how the Indian artist, with his rich imagination and keen sense of beauty, under the esoteric teachings of the Buddhist doctrine, acquired a temperament which experiences joy only when the outward life is governed by an inner law. In all the outbursts of his emotions and fancy the spiritual note is prominent, and it is this feature especially which differentiates the Buddhist art of India from the art of that country when influenced by other cults.