Ajanta: The Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography v3.c12.53

v3.c12.53

Although in this brief notice of the outstanding features of the paintings and architecture of Caves IV–XVI their serial order could not be observed, yet in describing the stories painted on the rock-walls of these temples and in studying the artistic merits of the frescoes the serial order of the caves will be strictly followed, so that the plan adopted in Parts I and II, dealing with the frescoes of Caves I and II, is maintained in this Part as well.