Ajanta: The Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography v4.c16.s19.20
Ajanta: The Colour and Monochrome Reproductions of the Ajanta Frescoes Based on Photography v4.c16.s19.20
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- English
v4.c16.s19.20
On the corresponding side, to the left proper of the Buddha, is a group of monks whose hair (excepting that of a few in the back row) is close cut. They have joined the palms of their hands together and stretched them forward in the act of adoration, and are looking with wonder and astonishment at the Buddha. Above the company of monks there are three or four horses with rich trappings, befitting the dignity of a prince. The rider on the horse shown in front is apparently a foreigner, judging by his dress. Above the horses a large elephant may also be noticed upon which a *rānī* is seated adoring the Buddha. There is a party of attendants around the *rānī*, all of diminutive size, evidently suggesting the extraordinary height of the elephant. The *rānī* is seated on a low chair placed on the back of the elephant. Among the attendants of the *rānī* there is a lady who may be seen at the back. Close to her is a child, who has stretched out his hands to catch something in front. The designs of the flags and of the tops of the poles to which they are attached are worthy of notice (Plate XXXVIII). The design of the headgear of a male attendant painted a little above the elephant exhibits the freakish temperament of the artist in presenting extraordinary styles.