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Indian Epigraphy c16.s2.98

Indian Epigraphy c16.s2.98

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c16.s2.98

¹ *CII*, Vol. III, 196, note 9. S. K. Aiyangar interpreted the *Rājatarangiṇī* stanzas referred to above in support of the musical sounds theory (*JBBRAS*, Vol. I, N.S. 1925, pp. 238-45). But Kalhaṇa's meaning is quite clear from op. cit., IV. 680. See *JBBRAS*, Vol. VII, pp. 48-51; P. N. Bhattacharya, *Kāmarūpaśāsanāvalī*, p. 42, note.

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