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India as Known to Panini: A Study of the Cultural Material in the Ashtadhyayi c11.s2.10

India as Known to Pāṇini: A Study of the Cultural Material in the Ashṭādhyāyī c11.s2.10

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c11.s2.10

Of special sacrifices, Pāṇini mentions Agnishṭoma (VIII.3.82), Jyotishṭoma and Āyushṭoma (VIII.3.83), the latter performed to obtain longevity, and making with the former a part of the Abhiplava ceremony. The Agnishṭoma with its three pressings (*savanas*) and twelve *stotras* forms the norm (*prakṛiti*) and the Vājapeya and the Jyotishṭoma are its modifications (*vikṛiti*). Rājasūya (III.1.114), a *vikṛiti* of the Agnishṭoma, and Turāyaṇa (V.1.72) are also mentioned. Turāyaṇa was a modification of the Paurṇamāsa, and the *Yajamāna* performing it was called *Taurāyaṇika* (V.1.722). The *Śāṅkhāyana Br.* speaks of Turāyaṇa as a *yajña* performed for the attainment of heaven (*sa esha svargakāmasya yajñaḥ*, IV.11, cf. Āraṇyakaparva, 13.21). According to the *Kāt. Śr.* (XXIV.7.1-8) this *sattra* commenced on the fifth day of Vaiśākha Śukla or Chaitra Śukla and lasted for one year (*saṁvatsaraṁ yajate*). It was regarded as a *vikṛiti* of Dvādashāha *sattra*. *Kuṇḍapāyya* and *Sañchāyya* were the names of special Soma *kratus* (III.1.130), the former being a *vikṛiti* of Dvādashāha and a *sattra* lasting for one year, which was originally performed by the Kuṇḍapāyin Ṛishis (cf. Rig., VIII.17.13, where a person is so named).

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