The Age of the Imperial Guptas c9.80.3

c9.80.3

At this stage, we are introduced to a new style in *caitya-window*s, the best examples of which are to be found on the lintel bearing the representation of the Kṣāntivādin *Jataka*. In this case the *caitya-window* motifs are placed in relief in front of a miniature temple crowned by an *Āmalaka*. The *caitya-window* has changed its shape by the metaphorposition of the circular medallion into a trefoil medallion. The sides of the circle have separated and between these two semi-circles is introduced an ellipsoid curve at the top. The introduction of this new member causes the *caitya-window* itself to become divided into two unequal parts with two side-wings on each side instead of one. The Central arc of the *Caitya-window* contains the curved end of the ellipse and is supported at the end of the upper part on two square pilasters. Such trefoils contain standing figures of deities.¹ In the second class, we find that though the *caitya-window* proper has become divided into two parts, with two side-wings on each side, there is no connection between the upper half and the lower. In the upper half the medallion is almost a complete circle and contains, in the majority of cases, a horned lion with arabesque as its mane. Such *caitya-window*s are interposed along the beam of the lintel between the larger ones. The medallion, in the lower part, is shaped roughly like an ellipse and consists of two semi-circles joined together by parallel straight lines.