Annals and Antiquities of Rajasthan, or the Central and Western Rajput States of India v2.c27.s1.47
Annals and Antiquities of Rajasthan, or the Central and Western Rajput States of India v2.c27.s1.47
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v2.c27.s1.47
The priests of Eklinga are termed Gosain or Goswami, which signifies ‘control over the senses’! The distinguishing mark of the faith of Siva is the crescent on the forehead :¹ the hair is braided and forms a tiara round the head, and with its folds a chaplet of the lotus-seed is often entwined. They smear the body with ashes, and use garments dyed of an orange hue. They bury their dead in a sitting [517] posture, and erect tumuli over them, which are generally conical in form.² It is not uncommon for priestesses to officiate in the temple of Siva. There is a numerous class of Gosains who have adopted celibacy, and who yet follow secular employments both in commerce and arms. The mercantile Gosains ³ are amongst the richest individuals in India, and there are several at Udaipur who enjoy high favour, and who were found very useful when the Mahrattas demanded a war-contribution, as their privileged character did not prevent their being offered and taken as hostages for its payment. The Gosains who profess arms, partake of the character of the knights of St. John of Jerusalem. They live in monasteries scattered over the country, possess lands, and beg, or serve for pay when called upon. As defensive soldiers, they are good. Siva, their patron, is the god of war, and like him they make great use of intoxicating herbs, and even of spirituous liquors. In Mewar they can always muster many hundreds of the Kanphara ⁴ Jogi, or ‘split-ear ascetics,’ so called from the habit of piercing the ear and placing therein a ring of the conch-shell, which is their battletrumpet. Both Brahmans and Rajputs, and even Gujars, can belong to this order, a particular account of whose internal discipline and economy could not fail to be interesting. The poet Chand gives an animated description of the body-guard of the King of Kanauj, which was composed of these monastic warriors.
Linked texts (1)
- Pṛthvīrāj Rāso — Cand Bardāī, Hindi