Annals and Antiquities of Rajasthan, or the Central and Western Rajput States of India v2.c27.s3.64

v2.c27.s3.64

Gauri is one of the names of Isa or Parvati, wife of the greatest of the gods, Mahadeva or Iswara, who is conjoined with her in these rites, which almost exclusively appertain to the women. The meaning of Gauri is ‘yellow,’ emblematic of the ripened harvest, when the votaries of the goddess adore her effigies, which are those of a matron painted the colour of ripe corn ; and though her image is represented with only two hands, in one of which she holds the lotos, which the Egyptians regarded as emblematic of reproduction, yet not unfrequently they equip her with the warlike conch, the discus, and the club, to denote that the goddess, whose gifts sustain life, is likewise accessary to the loss of it : uniting, as Gauri and Kali, the characters of life and death, like the Isis and Cybele of the Egyptians. But here she is only seen as Annapurna, the benefactress of mankind. The rites commence when the sun enters Aries (the opening of the Hindu year), by a deputation to a spot beyond the city, "to bring earth for the image of Gauri."¹ When this is formed, a smaller one of Iswara is made, and they are placed together; a small trench is then excavated, in which barley is sown; the ground is irrigated and artificial heat supplied till the grain germinates, when the females join hands and dance round it, invoking the blessings of Gauri on their husbands.² The young corn is then taken up, distributed, and presented by the females to the men, who wear it in their turbans. Every wealthy family has its image, or at least every purwa or subdivision of the city. These and other [571] rites known only to the initiated having been performed for several days within doors, they decorate the images, and prepare to carry them in procession to the lake. During these days of preparation, nothing is talked of but Gauri's departure from the palace; whether she will be as sumptuously apparelled as in the year gone by; whether an additional boat will be launched on the occasion; though not a few forget the goddess altogether in the recollection of the gazelle eyes (mrig-nayani) and serpentine locks (nagini-zulf)³ of the beauteous handmaids who are selected to attend her. At length the hour arrives, the martial nakkaras give the signal "to the cannonier without," and speculation is at rest when the guns on the summit of the castle of Eklinggarh announce that Gauri has commenced her excursion to the lake.