Annals and Antiquities of Rajasthan, or the Central and Western Rajput States of India v2.c27.s7.t1.54

v2.c27.s7.t1.54

A Jain Temple.—Admitting the last range as our guide, the peak of Kumbhalmer will be 3353 ⁶ feet above the level of the ocean. Hence I laid down the positions of many towns far in the desert. Here were subjects to occupy the pencil at least for a month; but we had only time for one of the most interesting views, the Jain temple before the reader, and a sketch of the fortress itself, both finished on the spot. The design of this temple is truly classic. It consists only of the sanctuary, which has a vaulted dome and colonnaded portico all round. The architecture is undoubtedly Jain, which is as distinct in character from the Brahmanical as their religion. There is a chasteness and simplicity in this specimen of monotheistic worship, affording a wide contrast to the elaborately sculptured shrines of the Saivas, and [671] other polytheists of India. The extreme want of decoration best attests its antiquity, entitling us to attribute it to that period when Samprati Raja, of the family of Chandragupta, was paramount sovereign over all these regions (two hundred years before Christ); ⁷ to whom tradition ascribes the most ancient monuments of this faith, yet existing in Rajasthan and Saurashtra. The proportions and forms of the columns are especially distinct from the other temples, being slight and tapering instead of massive, the general characteristic of Hindu architecture; while the projecting cornices, which would absolutely deform shafts less slight, are peculiarly indicative of the Takshak architect.¹ Samprati was the fourth prince in descent from Chandragupta, of the Jain faith, and the ally of Seleucus, the Grecian sovereign of Bactriana. The fragments of Megasthenes, ambassador from Seleucus, record that this alliance was most intimate; that the daughter of the Rajput king was married to Seleucus, who, in return for elephants and other gifts, sent a body of Greek soldiers to serve Chandragupta. It is curious to contemplate the possibility, nay the probability, that the Jain temple now before the reader may have been designed by Grecian artists, or that the taste of the artists among the Rajputs may have been modelled after the Grecian. This was our temple of Theseus in Mewar. A massive monolithic emblem of black marble of the Hindu Pitrideva had been improperly introduced into the shrine of the worshippers of the “spirit alone.” Being erected on the rock, and chiselled from the syenite on which it stands, it may bid defiance to time. There was another sacred structure in its vicinity, likewise Jain, but of a distinct character; indeed, offering a perfect contrast to that described. It was three stories in height; each tier was decorated with numerous massive low columns, resting on a sculptured panelled parapet, and sustaining the roof of each story, which, being very low, admitted but broken light to break the pervading gloom. I should imagine that the sacred architects of the East had studied effect equally with the preservers of learning and the arts in the dark period of Europe, when those monuments, which must ever be her pride, arose on the ruins of paganism. How far the Saxon or Scandinavian pagan contributed to the general design of such structures may be doubted; but that their decorations, especially the