Annals and Antiquities of Rajasthan, or the Central and Western Rajput States of India v2.c27.s7.t3.63

v2.c27.s7.t3.63

I reposed in meditative indolence, overwhelmed with the recollections such scenes inspire. In a recess or cave is a rude altar sanctified by the name of Nahar Rao, the famed king of Mandor, who met in equal combat the chivalrous Chauhan in the pass of the Aravalli.¹ A Nai, or barber, performs worship to the manes of this illustrious Rajput, in whose praise Chand is most eloquent. Whence the choice of a barber as a priest I know not; but as he has the universal care of the material portion of the Rajput, being always chosen as the cook, so there may be reasons for his having had an interest in the immaterial part in olden days, the tradition of which may have been lost. There is a piece of sculpture containing nine figures, said to represent Ravana, who came from “th’utmost isle Taprobane,”² to marry the daughter of the sovereign of Mandor. There was a lengthened legend to account for the name of Nagda, or, ‘serpentine,’ being applied to the [729] rivulet, but it is too long to relate. We must therefore quit the fountain, where the gallant Prithiraj and his fair bride, the cause of strife between the Chauhans and Pariharas, may have reposed, and visit the most remarkable relic within the precincts of this singular place.