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Annals and Antiquities of Rajasthan, or the Central and Western Rajput States of India v2.c27.s7.t3.66

Annals and Antiquities of Rajasthan, or the Central and Western Rajput States of India v2.c27.s7.t3.66

Language
English

v2.c27.s7.t3.66

Images of Heroes.—A short distance from the foot of the causeway, an archway opens into an enclosed court or area, in the retired part of which, and touching the mountain, is an extensive saloon; the roof is supported by a triple row of columns, of that light form peculiar to the Jains. Here are displayed, in all “the pomp and circumstance of war,” the statues of the knights-errant of the desert, armed cap-à-pie, bestriding steeds whose names are deathless as their riders’, all in the costume of the times in which they lived. They are cut out of the rock, but entirely detached from it, and larger than life. Though more conspicuous for strength than symmetry, the grim visages of these worthies, apparently frowning defiance, each attended by his pandu or squire, have a singularly pleasing effect. Each chieftain is armed with lance, sword, and buckler, with quiver and arrows, and poniard in his girdle. All are painted; but whether in the colours they were attached to, or according to the fancy of the architect, I know not. Before, however, entering this saloon, we pass a huge statue of Ganesa, placed as the guardian of the portal, having on each side the two Bhairavas, sons of the god of war. Then appears the statue of Chamunda (the goddess of destruction), and that of the terrific mother, Kankali, treading on the black demon Bhainsasur, in whose flank her tiger-courser has buried his bloodthirsty tongue : in each of her eight arms she holds a weapon of destruction. The black Bhairon (son of Time), with a sable flag, bearing argent a horse courant, marshals the way through the field of blood to his mother. Between her and the heroes whose lives passed “ in devotion to the sword,” is a statue of the Nathji, or ‘ spiritual guide ’ of the Rathors : in one hand he holds his mala or ‘ chaplet ’; in the other his chhari or ‘ patriarchal rod,’ for the guidance of his flock. Mallinath¹ heads the procession, mounted on a white charger, with a lance over his shoulder, to which is attached a flag; his quiver resting on his horse’s right flank, and his mistress, Padmavati, with a platter of food welcoming him from the raid, and who accompanied him when slain to Suryaloka, or ‘ the mansion of the sun.’