Annals and Antiquities of Rajasthan, or the Central and Western Rajput States of India v3.c43.t1.330

v3.c43.t1.330

The grand temple of Barolli is dedicated to Siva, whose emblems are everywhere visible.¹ It stands in an area of about two hundred and fifty yards square, enclosed by a wall built of unshaped stones without cement. Beyond this wall are groves of majestic trees, with many smaller shrines and sacred fountains. The first object that struck my notice, just before entering the area, was a pillar, erect in the earth, with a hooded-snake sculptured around it. The doorway, which is destroyed, must have been very curious, and the remains that choke up the interior are highly interesting. One of these specimens was entire, and unrivalled in taste and beauty. The principal figures are of Siva and his consort, Parbati, with their attendants. He stands [705] upon the lotus, having the serpent twined as a garland. In his right hand he holds the damru, or little drum, with which, as the god of war, he inspires the warrior; in his left is the khopra, formed of a human skull, out of which he drinks the blood of the slain. The other two arms have been broken off: a circumstance which proves that even the Islamite, to whom the act may be ascribed, respected this work of art. The ‘mountain-born’ is on the left of her spouse, standing on the *kurma*, or tortoise, with braided locks, and ear-rings made of the conch-shell. Every limb is in that easy flowing style peculiar to ancient Hindu art, and wanting in modern specimens. Both are covered with beaded ornaments, and have no drapery. The firm, masculine attitude of ‘Baba Adam,’ as I have heard a Rajput call Mahadeo, contrasts well with the delicate feminine outline of his consort. The serpent and lotus intertwine gracefully over their heads. Above, there is a series of compartments filled with various figures, the most conspicuous of which is the chimerical animal called the Grasda, a kind of horned lion; each compartment being separated by a wreath of flowers, tastefully arranged and distributed. The animal is delineated with an ease not unworthy the art in Europe. Of the various other figures many are mutilated; one is a hermit playing on a guitar, and above him are a couple of deer in a listening posture. Captain Waugh is engaged on one of the figures, which he agrees with me in pronouncing unrivalled as a specimen of art. There are parts of them, especially the heads, which would not disgrace Canova. They are in high relief, being almost detached from the slab. In this fragment (about eight feet by three) the chief figures are about three feet.