Annals and Antiquities of Rajasthan, or the Central and Western Rajput States of India v3.c43.t1.360

v3.c43.t1.360

Smaller shrines surround the kund, into one of which I entered, little expecting in a comparatively humble edifice the surprise which awaited me. The temple was a simple, unadorned hall, containing a detached piece of sculpture, representing Narayan floating on the chaotic waters. The god is reclining in a fit of abstraction upon his shesh-seja, a couch formed of the hydra, or sea-snake, whose many heads expanded form a canopy over that of the sleeping divinity,¹ at whose feet is the benignant Lakshmi, the Hindu Ceres, awaiting the expiration of his periodical repose. A group of marine monsters, half man, half fish, support the couch in their arms, their sealy extremities gracefully wreathed, and in the centre of them is a horse, rather too terrestrial to be classical, with a conch-shell and other marine emblems near him. The background to this couch rises about two feet above the reclining figure, and is divided horizontally into two compartments, the lower containing a group of six chimerical monsters, each nearly a foot in height, in mutual combat, and in perfect relief. Above is a smaller series, depicting the Avatars, or incarnations of the divinity. On the left, Kurma, the tortoise, having quitted his shell, of which he makes [711] a pedestal, denotes the termination of the catastrophe. Another marine monster, half boar (Varaha), half fish, appears recovering the Yoni, the symbol of production, from the alluvion, by his tusk. Next to him is Narasinha, tearing in pieces a tyrannical king, with other allegorical mysteries having no relation to the ten incarnations, but being a mythology quite distinct, and which none of the well-informed men around me could interpret : a certain proof of its antiquity.