A History of Sanskrit Literature c14.s4.3
A History of Sanskrit Literature c14.s4.3
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c14.s4.3
Debarred from politics, Kalhaṇa must have conceived the idea of rewriting the chronicles of Kashmir, perhaps at the instigation of Alakadatta, the patron of whom we hear only from the *Çrīkaṇṭhacarita*¹ of Maṅkha, who mentions him under his more elegant appellation of Kalyāṇa, of which his name is a vernacular equivalent. It is clear that he studied deeply the great poems of the past, such as the *Raghuvaṁça* and *Meghadūta* of Kālidāsa, and naturally the *Harṣacarita* of Bāṇa, as a model of romance based on a historical kernel. Bilhaṇa he knew well and used his work, and Maṅkha expressly tells us that Kalhaṇa's style had become so polished that it could reflect as in a mirror the whole perfection of Bilhaṇa's muse. But he studied also deeply the epics, as his constant references to the heroes of the *Mahābhārata* and his familiarity with the *Rāmāyaṇa* prove. He was naturally interested in literary history, and studied the science of astrology, as his references to Varāhamihira's *Bṛhatsaṁhitā* attest.
Cites (7)
- Bṛhatsaṃhitā — Varāhamihira, Sanskrit
- Harṣacarita — Bāṇabhaṭṭa, Sanskrit
- Mahābhārata — Vyāsa, Sanskrit
- Meghadūta — Kālidāsa, Sanskrit
- Raghuvaṃśa — Kālidāsa, Sanskrit
- Vālmīkirāmāyaṇa — Vālmīki, Sanskrit
- Śrīkaṇṭhacarita — Maṅkha, Sanskrit