The Sanskrit Drama in its Origin, Development, Theory & Practice c11.s3.13
The Sanskrit Drama in its Origin, Development, Theory & Practice c11.s3.13
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c11.s3.13
The author is not merely admirable in characterization; he is master of pathos, as in the parting of Cārudatta from his son who asks the headsman to kill him and let his father go, and above all he abounds in humour and wit even in the last act Goha, the headman, relieves the tension by the tale of his father who advised him on his death-bed not to slay too quickly the criminal on the off-chance that there might be a revolution or something to save the wretch's life, and, when after deliverance comes the noble Cārudatta forbids the slaying with steel of the grovelling Saṃsthānaka, Carvilaka cheerfully remarks that is all right: he will be eaten alive by the dogs instead.