The Sanskrit Drama in its Origin, Development, Theory & Practice c14.s2.6
The Sanskrit Drama in its Origin, Development, Theory & Practice c14.s2.6
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c14.s2.6
We see Rāma and Lakṣmaṇa in mourning; they wander in the forest, save, and receive tidings from, an ascetic; Vibhīṣaṇa, brother of Rāvaṇa, exiled from Laṅkā, wishes to meet them at Ṛṣyamukha where also are the jewels dropped by Sītā in her despair. Vālin, however, on the instigation of Mālyavant, seeks to forbid their entry; Rāma persists and slays his foe, who bids his brother Sugrīva lend his aid to Rāma's search. In Act VI Mālyavant appears desolated by the failure of his plans; he hears of Hanumant's setting Laṅkā on fire. Rāvaṇa appears, doting on Sītā; in vain Mandodarī warns him of the advance of the enemy, but his disbelief is rudely dispelled; Aṅgada bears terms of surrender of Sītā and humiliation before Lakṣmaṇa; he refuses, and seeks to punish the envoy, who escapes. He then goes out to battle, described at length by Indra and Citraratha, who, as divine, can watch it from the sky; Rāvaṇa performs feats of valour, but Hanumant revives with ambrosia Rāma and his comrades, and Rāvaṇa finally falls dead beside his gallant son, Meghanāda. In Act VII the cities Laṅkā and Alakā, represented by their deities, exchange condolences; it is reported that Sītā has by the fire ordeal proved her chastity. The whole of Rāma's party are now triumphant; an aerial journey carries them to the north, where they are welcomed by Rāma's brothers and Daçaratha's widows, and Viçvāmitra crowns Rāma.