The Sanskrit Drama in its Origin, Development, Theory & Practice c14.s3.26
The Sanskrit Drama in its Origin, Development, Theory & Practice c14.s3.26
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c14.s3.26
‘Fortune has favoured me, for I have heard the nectar of her words that make to bloom again the faded flower of my life, delightful, disturbing every sense, causing gladness, sole elixir for my heart.’ The deliberate rhyming effect is as appropriate as it is uncommon in such elaboration, and it is characteristic that the same effect is shortly afterwards repeated. Effective simplicity and directness also characterize the speech, in Sanskrit contrary to the usual rule, of Buddharakṣitā in Act VII, when she clinches the argument in favour of the elopement of Madayantikā and Makaranda: *preyān manorathasahasravṛtaḥ sa eṣaḥ: suptapramattajanam etad amātyaveśma* *prauḍhaṃ tamaḥ kuru kṛtajñatayaiva bhadram: utkṣiptamūkamaṇinūpuram ehi yāmaḥ.*