The Sanskrit Drama in its Origin, Development, Theory & Practice c14.s3.34
The Sanskrit Drama in its Origin, Development, Theory & Practice c14.s3.34
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c14.s3.34
‘She is Fortune herself in my home; she is a pencil of ambrosia for the eyes; her touch here on my body is as fragrant as sandal juice; her arm round my neck is cool and soft as a necklace of pearls; what in her is there that is not dear, save only the misery of separation from her?’ Scarcely are the words said than the attendant enters with the word, ‘It has come’, which on her lips is to announce the advent of the spy whose report is to lead to Sītā’s banishment, while the audience, following the words, applies it at once to the separation which Rāma was deploring, and which to him was the parting in the past when Rāvaṇa stole his bride.