Pramāṇa · Search · About · API

The Sanskrit Drama in its Origin, Development, Theory & Practice c16.s3.6

The Sanskrit Drama in its Origin, Development, Theory & Practice c16.s3.6

Language
English

c16.s3.6

In Act V a conversation between Jāmbavant and an ascetic lady, Çravaṇā, tells of the doings of Rāma until his advent in the forest. Çravaṇā goes to Sugrīva to bespeak a kindly welcome for the wayfarers, while Jāmbavant overhears a dialogue between Rāvaṇa, disguised as a juggler, and Lakṣmaṇa. The vulture Jaṭāyu then appears with the grave news that he has seen Rāvaṇa and Mārīca in the forest; Jāmbavant goes to warn Sugrīva of the danger, while Jaṭāyu sees the rape of Sītā and pursues the ravisher. After this entr'acte Rāma and Lakṣmaṇa enter, wandering in grief in vain search. They are interrupted by a cry and see the friendly forest chief, Guha, assailed by the headless Kabandha. Lakṣmaṇa rescues him, but, in doing so, knocks off the tree, on which it was suspended, the skeleton of Dundubhi, to the annoyance of Vālin, who appears, and after a lengthy conversation challenges Rāma to battle. The fight is described from the stage by Lakṣmaṇa and Guha; the enemy is slain. Voices from behind the scenes report the coronation of Sugrīva and his determination to aid Rāma in the recovery of Sītā, and Lakṣmaṇa and his friend leave the stage to rejoin their party. In Act VI Sāraṇa and Çuka, two spies of Rāvaṇa's describe to Mālyavant the building of the bridge over the ocean and the advent of Rāma's army. Voices from behind announce the departure of Kumbhakarṇa and Meghanāda for battle; in the same way we learn of their fall and the last exit of Rāvaṇa, whom Mālyavant decides to follow to the field. The final struggle is described with tedious and tasteless prolixity by two Vidyādharas, Ratnacūḍa and Hemāṅgada, and with this the Act closes.