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The Sanskrit Drama in its Origin, Development, Theory & Practice c16.s5.24

The Sanskrit Drama in its Origin, Development, Theory & Practice c16.s5.24

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English

c16.s5.24

‘Paling the face of every beauty here, making the sky’s vault to ripple with the liquid moonlight of her loveliness, and breaking the haughty pride in the hearts of maids that regard her, appeareth the moon-like orb of her face as she moveth straight to and fro in her sport on the swing.’ The effective alliteration and paronomasia of this stanza are surpassed by the metrical perfection of the next but one, where the Pṛthvī metre, with ‘its jingling tribrachs and bell-like, chiming cretics’, is employed in a stanza which admirably conveys by its sound the sense at which it aims: