The Sanskrit Drama in its Origin, Development, Theory & Practice c16.s6.1
The Sanskrit Drama in its Origin, Development, Theory & Practice c16.s6.1
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c16.s6.1
A verse attributed to Rājaçekhara mentions the five dramas of Bhīmaṭa, of which the *Svapnadaçānana* won him chief fame. He is described as a Kaliñjarapati, whence the suggestion has been made that he was a connection of the Candella king Harṣa of Jejākabhukti, who, we know, was a contemporary of Mahīpāla of Kanyakubja, patron of Rājaçekhara, but we have no ground for positive assertion.¹