Pramāṇa · Search · About · API

The Sanskrit Drama in its Origin, Development, Theory & Practice c16.s6.7

The Sanskrit Drama in its Origin, Development, Theory & Practice c16.s6.7

Language
English

c16.s6.7

The compilers of anthologies make little of Kṣemiçvara, with sufficient reason, for his verses do not rise above mediocrity. The second stanza of the three-verse benediction in the *Naiṣadhānanda* is on a common theme, but not unhappily expressed; it follows a verse in honour of Puruṣottama and Çrī, with the usual impartiality of this period: