The Sanskrit Drama in its Origin, Development, Theory & Practice c16.s6.7
The Sanskrit Drama in its Origin, Development, Theory & Practice c16.s6.7
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c16.s6.7
The compilers of anthologies make little of Kṣemiçvara, with sufficient reason, for his verses do not rise above mediocrity. The second stanza of the three-verse benediction in the *Naiṣadhānanda* is on a common theme, but not unhappily expressed; it follows a verse in honour of Puruṣottama and Çrī, with the usual impartiality of this period: