The Sanskrit Drama in its Origin, Development, Theory & Practice c17.s2.30.3
The Sanskrit Drama in its Origin, Development, Theory & Practice c17.s2.30.3
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c17.s2.30.3
What Vastupāla is doing is shown by a conversation between two spies, Kuvalayaka and Ҫighraka, which forms the entr'acte to Act IV; he has induced the Kaliph of Baghdad by a false report to instruct Kharpara Khāna to send Milacchrīkāra to him in chains, and he has won over various Gūrjara princes by promising them the lands of the Turuṣkas when they are defeated. We then find Milacchrīkāra discussing his situation with his minister Gorī Īsapa; Kharpara Khāna, on the one hand, and Vīradhavala press him hard; the king declines, however, even to think of retreat, but both king and minister flee hastily before the sound of the approach of Vīradhavala's army and the voice of the king, who is disappointed not to capture his foes, but obeys loyally Vastupāla's counsel against rash pursuit. Act V shows us the triumphant return of the king, his reunion with his wife Jayataladevī, and exchange of felicitations with Vastupāla and Tejaḥpāla. We learn that Vastupāla has accomplished a further feat; he has intercepted at sea Radī and Kadī, Milacchrīkāra's preceptors, returning from Baghdad, and the king has been forced, in order to secure their safety, to enter into friendly relations. Finally the king enters Ҫiva's temple, where the god presents himself before him, and grants him a boon; the king, however, has little that is not formal to ask, so fortunate is he in his ministers.