The Sanskrit Drama in its Origin, Development, Theory & Practice c17.s6.1

c17.s6.1

Popular as the Prahasana or farce must have been, we have in this period no example preserved certainly older than the *Laṭakamelaka*,³ written in the earlier part of the twelfth century under Govindacandra of Kanyakubja by Ṣaṅkhadhara Kavirāja. The nature of the play is characteristic; the action passes at the house of the go-between Danturā, to which come all sorts of people anxious to buy the affection of the fascinating Madana-mañjarī. Comic relief is further provided by the arrival of doctor Jantuketu to extract a fish-bone from the damsel’s throat. He is perfectly incompetent and his methods absurd, but they affect their purpose indirectly, since, through laughing at his antics, the bone is happily dislodged. The bargaining of the lovers is satirized, and the marriage which is actually arranged is one between the go-between herself and a Digambara, a type doubtless sure to raise a laugh.