The Sanskrit Drama in its Origin, Development, Theory & Practice c18.25

c18.25

The same tendency to artificiality was undoubtedly stimulated by the fact that plays for their reputation must have depended largely on being read, not witnessed, however important it may have been for the poet to secure the honour of public performance. The popularity and number of the Kāvyas which have come down to us attests the existence of an effective public which, if it did not read the works, at least enjoyed having them read aloud, and the dramatist was thus encouraged, while adhering to the dramatic form, to vie in this genre of literature with the effects produced in the Kāvya. The Kāvya, however, was undergoing throughout its history a tendency to seek mere stylistic effects, and this influence must largely have contributed to the elaboration of style of the drama. It is significant that the Kāvyas and dramas of Kālidāsa show a relative simplicity which contrasts effectively with the complexities of Bhavabhūti in drama, and Bhāravi and Māgha in the Kāvya.